SIRUI 50mm F1.8 1.33X APS-C Anamorphic Lens for E Mount, Blue Flare

Description

SIRUI 50mm F1.8 1.33X APSC Anamorphic Lens | Cinematic Master Enhance the artistic appeal of your footage and immerse your audience in an cinematic world with SIRUI anamorphic. Express Your Cinematic Side with SIRUI 50mm Anamorphic! SIRUI 50mm F1.8 anamorphic lens produces a cinematic 2.4:1 widescreen video with a 33% increase of the horizontal field of view, equivalent to FOV of an traditional APS-C 37.5mm lens.Shot at 16:9,get 2.4:1 1.33Cinematic Squeeze Factor Enjoy dynamic wide-screen videos with a 33% broaden horizon.Smooth&Stepless Optimize Depth of Field with the F1.8 Customize the light and the depth of view even in low light environment.Excellent Sharpness High Definition Produce sharp, quality imaging with unique cine characteristics.Feathery 560g Lightweight for Comfortable Hand-held shooting Highly portable and compact with premium aircraft aluminum. Ideal for traveler photography.1 2.4:1 Wide-Screen Vision 2 1.33Squeeze Factor 3 F1.8 Optimum Aperture 4 High Definition 5 Quality Compact FitSci-Fi Brushed Flares Distinctive Bluish Flares Spread unique bluish light streaks and star burst for optimum cinematic visual effect.Breathtaking Aesthetic Pleasing Cinematic Bokeh Enchanting cinematic bokeh enriches your footage and leave a deep impression on your audiences.Precise Control Smooth Control From 0.85m To Infinity Focus breathing is well-contained, effectively keeping your audience from distracting.MFT/L/RF/E/X Wide Compatibility Comes in five native mounts, widely compatible with popular mirrorless and DSLR cameras.1 Sci-Fi Brushed Flares 2 Beautiful Creamy Bokeh 3 Explore 0.85m To Infinity 4 Superior Imaging Quality 5 Five Mounts OptionalHow to choose the correct model for my camerasuff1f E mount is for Sony A series, FX series, ZV-E series. SIRUI USA is always at your service for pre-order consultation. Why images is sharp in the center but soft on the edge? Anamorphic lenses are responsible for the u201ccinematicu201d look, featuring the characteristic of crisp and clear center images with soft and blurred outer edges, which can lend a painterly, artistic quality to your footage. Why can’t I take pictures with this anamorphic lens? Any particular setting to do in the camera menu? Please enable “Release Shutter without lens” in your camera setting. Because the manual focus lens does not communicate with the camera. Why images have distortion using anamorphic lenses? All anamorphic lens exhibits distortion, either pincushion or barrel distortion, which is a common characteristic among this certain optics. For those well-versed in post-production, addressing this slight distortion is a straightforward task. Why the lens flares are excessive or insufficient? The intensity of lens flares is deeply affected by the filming operation and light source. It can be controlled by filmmakers to an expected outcome.

The very first professional anamorphous lens for everyone | For widescreen films in cinema format 2. 4:1ust but lightweight design made from Germany made Schott glass elements Lens connection: E-mount (e.g. for Sony NEX and Alpha) 33% wider field of view than conventional 50 mm lenses | corresponds to about a field of view of 37.5 mm Creates cineastic effects such as horizontal sci-fi reflections, impressive light effects and an oval bokeh Focal length: 50 mm (KB equivalent 75 mm) | Aperture: f/1. 8 – F/16 | Closest Focusing Distance: 0 85 m to infinity | focusing: manual | sensor coverage: up to APS-C | Construction: 11 glass elements in 8 groups| Filter thread: 67 mm | Max. Magnification: 1:15 38(V), 1:20 17 (H) | Focus Ring Rotation Angle: 143 6u00b0 | Focus ring diameter: 61. 7 mm | Length (without lid): 106. 6 mm | Max. Case Diameter: 68 2 mm. Weight: approx. 560 g